Rudolf Polanszky’s works are concerned with finding visual correspondences with the artist’s intellectual configurations inspired by aspects of mathematical and scientific theories without falling prey to a precise aesthetic. It is rather the material chosen and converted that encourages Polanszky to realize entirely abstract ideas in a model-like manner: deformed bits and pieces of acrylic glass, aluminum, cardboard, etc. marked by their use ultimately turn into works of “dirty purity.” These provide the artist with a means to render a new reality achieved through transformations and developments of structures that differs from the supposedly scientifically explainable reality.