Joe Andoe

Born in 1955, Tulsa, Oklahoma.
Lives and works in New York.
Education : M.F.A. University of Oklahoma, Norman, Oklahoma, 1981.
 

Solo exhibitions

2022
"Chinatown," Almine Rech, Shanghai, China

2021
"The Catskills," Galerie Sébastien Bertrand, Geneva, Switzerland

2020
"Rolling Hills," Almine Rech, New York, NY

2019
"Jubilee City," Almine Rech, New York, NY
"Nationwide," Galerie Sébastien Bertrand, Geneva, Switzerland 

2018
"Rainbow Road part 2," Almine Rech, Brussels, Belgium.

2017
‘Rainbow Road’, Galerie Sébastien Bertrand Geneva, Switzerland
‘Power Cosmic’, Fortnight Institute, New York
‘Horizon’, University of Oklahoma Fred Jones Jr., Norman, OK

2015
‘Superhighway,’ Nathalie Karg Gallery, New York

2012
fordPROJECT, New York

2007
Earl McGrath Gallery, Los Angeles CA

2005
‘Joe Andoe: New Horse Paintings’, Longview Museum of Fine Arts, Longview, TX

2004
‘Joe Andoe: Paintings’, Feigen Contemporary, New York, NY

2003
‘Joe Andoe: Town & Country’, Earl McGrath Gallery, Los Angeles, CA

2002
‘Joe Andoe: Figures, Horses and Landscapes’, David Floria Gallery, Aspen, CO
Earl McGrath Gallery, Los Angeles, CA
Gallery Samtuh, Chongdam-dong Kangnam, Korea

2001
Blum Helman Gallery, New York, NY
‘Joe Andoe: The Nebraska Paintings’, Bemis Center for Contemporary Arts, Omaha, NB

2000
‘Joe Andoe: Recent Paintings’ , SOMA Gallery, La Jolla, CA
‘Joe Andoe: What You See’, University at Buffalo Art Gallery Research Center in Art & Culture, Buffalo, NY
‘Joe Andoe: Paintings’, Galerie Simonne Stern, New Orleans, LA

1999
‘Horse X 12’, Gilcrease Museum, Tulsa, OK
‘Joe Andoe: Mares & Foals’, Blum Helman Gallery, New York, NY
‘Joe Andoe: New Paintings’, David Floria Gallery, Aspen, CO
KOPAC, Seoul, Korea

1998
‘Joe Andoe: Dogs’, Allene LaPides Gallery, Santa Fe, NM
‘Joe Andoe: Print Editions’, Earl McGrath Gallery, New York, NY
‘Joe Andoe: Monotypes’, Jon Oulman Gallery, Minneapolis, MN
Meredith Long & Company, Houston, TX

1996
‘Paintings on Paper, Joe Andoe’, Winston Wächter Fine Art, New York, NY
‘Joe Andoe: Landscapes’, Blum Helman Gallery, New York, NY

1995
‘Joe Andoe: New Paintings’, Blum Helman Gallery, New York, NY
Milliventi Sperone, Torino, Italy
‘Joe Andoe: New Paintings’, Margulies Taplin Gallery, Coral Gables, FL

1993
‘Joe Andoe: Prints’, Galerie Kaj Forsblom, Helsinki, Finland
BlumHelman, New York, NY
‘Joe Andoe: Paintings’, The Greenberg Gallery, St. Louis, MO

1992
Jason Rubell Gallery, Palm Beach, FL
‘Joe Andoe: New Work’, Heffel Gallery, Vancouver, B.C. Canada

1991
‘Joe Andoe: New Work’, BlumHelman, New York, NY
‘Joe Andoe: Recent Prints’, Galerie Kaj Forsblom, Helsinki, Finland
‘Recent Prints’, Yodo Gallery, Osaka, Japan
Galerie Busche, Cologne, Germany

1990
BlumHelman Gallery, Los Angeles, CA
‘Joe Andoe: New Work’, The Greenberg Gallery, St. Louis, MO
‘New Work: Joe Andoe’, University of Oklahoma Museum of Art, Norman, OK
‘Joe Andoe: Oeuvres Récentes’, Galerie Daniel Templon, Paris, France

1989
BlumHelman Gallery, New York, NY
Dart Gallery, Chicago, IL
Michael Kohn, Los Angeles, CA

1988
Tom Cugliani Gallery, New York, NY
Dart Gallery, Chicago, IL
Maloney Gallery, Santa Monica, CA

1986
White Columns White Room, New York, NY

1982
‘Joe Andoe: new paintings’, Oklahoma City Art Annex, Oklahoma City, OK

Group exhibitions

2021
June Presentation, Almine Rech Gallery, Aspen, CO
‘Horses?’, Chart Gallery, New York, NY

2020
Coalition For The Homeless Benefit, Almine Rech Gallery, New York, NY

2018
'Stampede: Animals in Art', Denver Art Museum, Denver, USA

2017
‘LIKE’, Galerie Sébastien Bertrand, Geneva
‘White trash’, Larry Clarks private collection, Luhring Augustine gallery, New York, NY

2016
‘Animalia’, Daum Museum of contemporary Art, Sedalia, Missouri
‘Landscapes after Ruskin’, Hall Foundation Reading, Vermont
‘Boys and girls can still draw’, Nathalie Karg gallery, New York

2006
‘Die Jugend von heute/The Youth of Today’, Shirn Kunsthalle Frankfurt, Frankfurt, Germany

2005
‘Zoo Story: An exhibition of animals in art - for the young and the young at heart’, Fisher
Landau Center for Art, Long Island City, NY
Feigen Contemporary, New York, NY
‘Life and Limb’, Earl McGrath Gallery Los Angeles, Los Angeles, CA

2003
‘Summer Group Show’, Bill Maynes Gallery, New York, NY

2002
‘Linger’, Artemis Greenberg Van Doren, New York, NY
‘The Sensibility of the 80s #3’, Thomas Ammann Fine Art, Zurich, Switzerland
‘Selections’, Drawing Center, New York, NY

2001
‘20th Anniversary ‘Bomb Magazine’ Benefit Art Auction conducted by Sotheby’s’, Eyebeam
Atelier, Inc., New York, NY

2000
‘Andoe, Oppenheim, Simonds’, Joseph Helman Gallery, New York, NY
‘Summer Exhibition’, SOMA Gallery, La Jolla, CA
‘Animal magnetism’, Bucknell Art Gallery, Bucknell University, Lewisburg, PA
‘Out West’, Mabee-Gerrer Museum of Art, Shawnee, OK

1999
‘A Country of Mine’, Up & Co., New York, NY
‘Summer 99’, Winston Wächter Fine Art, New York, NY
‘80s Artists Then and Now’, Elizabeth Mayer Fine Art, New York, NY
‘…This Tiny Spaceship, This Planet Earth’, Ron Judish Fine Arts, Denver, CO

1998
‘Group Show 1998’, Blum Helman Gallery, New York, NY
‘Summer’, Blum Helman Gallery, New York, NY
‘Cornucopia’, Winston Wächter Fine Art, New York, NY
‘Movements of Grace: Spirit in the American Landscape’, Winston Wächter Fine Art, New York, NY
‘Unframed VI - CRIA Benefit for AIDS : Joe Andoe, Donald Baecheler, John Baldessari, Sandro’

1997
‘Allegory’, Blum Helman Gallery, New York, NY
‘Art Santa Fe’, Santa Fe, NM
‘The Horse Re-Defined’, Nave Museum, Victoria Regional Museum Association, Victoria, TX
‘Los Angeles Printmaking Society 14th National Exhibition’, Laband Art Gallery, Loyola
Marymount University, Los Angeles, CA
‘Animal Kingdom’, New Jersey Center for Visual Arts, Summit, NJ
‘Still Life: The Object in American Art 1915 - 1995,from the collection of the Metropolitan’
‘Museum of Art’, The New York Historical Society, New York, NY

1996
‘In Bloom’, New Jersey Center for Visual Arts, Summit, NJ
‘Anima Mundi’, James Graham & Sons, New York, NY
‘Land Inspired’, Anne Reed Gallery, Ketchum, ID
‘Summer Group Show’, Blum Helman Gallery, New York, NY
Margulies Taplin Gallery, Coral Gables, FL
‘Body Language’, Museum of Fine Arts, Florida State University, Tallahassee, FL
‘Selections from Solo Press’, Albert Knox Museum, Buffalo, NY
‘Flora: Contemporary Artists and the World of Flowers’, Gibbes Museum of Art, Charleston, SC
‘Flora: Contemporary Artists and the World of Flowers’, Dixon Gallery and Gardens, Memphis, TN
‘Selections’, Margaret Woodson Fisher Sculpture Gallery, Leigh Yawkey Woodson Art Museum, Wausau,WI
‘Small Scale’, Blum Helman Gallery, New York, NY

1995
‘Flora: Contemporary Artists and the World of Flowers’, Leigh Yawkey Woodson Art Museum,Wausau, WI
‘Flora: Contemporary Artists and the World of Flowers’, Art Museum of South Eastern Texas, Beaumont,TX
‘Flora: Contemporary Artists and the World of Flowers’, New Mexico Museum of Natural History and Science, Albuquerque, NM
‘New York Noir’, Allez Les Filles, Colombus, OH
‘Summer Group Show’, BlumHelman Gallery, New York, NY
‘Selections from Solo Press’, Gallery ‘72, Omaha, NB
‘The Horse Show: Images of the Horse in Contemporary Art’, Sylvia White, Santa Monica, CA

1994
‘Landscape/Not Landscape’, Gallery Camino Real, Boca Raton, FL
‘The Horse: Magic, Myth and Metaphor’, Victoria Anstead Fine Art, New York, NY
‘A Garden’, Barbara Krakow Gallery, Boston, MA
‘The Seer’, O’Hara Fine Art, New York, NY
‘Works on paper’, AOI Gallery, Santa Fe, NM
‘Summer Selections’, Barbara Mathes Gallery, New York, NY
‘Group Show’, BlumHelman Gallery, New York, NY
‘Painting’, BlumHelman Gallery, New York, NY
‘The Secret Garden’, Gallery 66, Cummings Arts Center, Connecticut College, New London, CT
‘Wildlife’, California Center for the Arts Museum, Escondido, CA
‘Selections from Solo Press’, Wooster Art Museum, Wooster, OH

1993
‘A Private View: Artists’ Photographs’, BlumHelman, New York, NY
‘Invitational Show, A Private View: Artists’ Photographs’, Sala Alternativa Galeria de Arte, Barcelona
‘Summer Group Show’, Jay Gorney Modern, New York, NY
‘The Bestiary’, BlumHelman, New York, NY
‘The Bestiary’, International Bird Museum, Southampton, NY

1992
‘PAINT’, BlumHelman, New York, NY
‘Joe Andoe & Robert Stackhouse’, Pace Prints, New York, NY
‘Joe Andoe & April Gornik: Recent Prints’, Cleveland Center For Contemporary Art, Cleveland, OH
‘X6’, Aldrich Museum of Contemporary Art, Ridgewood, CT
Traveled to: Dayton Art Institute, Dayton, OH
‘Eco Art’, Museo De Arte Moderna, Rio De Janeiro, Brazil
‘Summer Group Show’, BlumHelman Warehouse, New York, NY
‘The Printed Image’, Hastings Gallery, Hudson, NY
‘A/D’, Peter Joseph Gallery, New York, NY

1991
‘Monotypes’, Pace Prints, New York, NY
‘Herbstsalon 1991: New Formalism - New Paintings from Los Angeles, New York, Edinburgh, Frankfurt and Cologne’, Busche Gallery, Cologne, Germany
‘A Bestiary’, Paula Cooper, New York, NY
‘New Editions: June’, Pace Prints, New York, NY
‘New Editions: December’, Pace Prints, New York, NY

1990
‘The Garden’, A/D Gallery, New York, NY
‘Art Against AIDS’, A Public Art Project, Washington, D.C.
‘Artists for Amnesty’, BlumHelman Gallery, Germans van Eck Gallery, New York, NY
‘Act Up: Auction for Action’, Paula Cooper Gallery, New York, NY
‘Contemporary Landscapes’, The Patrick and Beatrice Haggerty Museum of Art, Marquette University
‘Botanica: The Secret Life of Plants’, Lehman College Art Gallery, The City University of New York, Bronx, NY
‘The Unique Print/70’s into 90’s’, Museum of Fine Arts, Boston, MA
‘About Nature: a romantic impulse’, Barbara Toll Fine Arts, New York, NY
‘A Nature Show’, The David & Alfred Smart Gallery, University of Chicago, Chicago, IL
‘Write in Water’, Solo Press/Solo Gallery, New York, NY
‘Modern Masters IV (exhibition catalogue)’, Runkel Hue Williams, London, England
‘New Editions’, Pace Prints, New York, NY

1989
‘Joe Andoe, Katherine Bowling, Li Lin Lee’, BlumHelman Gallery, New York, NY
‘Summer Group Show’, BlumHelman Gallery, New York, NY
‘Cross’, BlumHelman Gallery, New York, NY
‘The Elements: Sex, Politics, Money, and Religion’, Erector Square Gallery, New Haven, CT
‘Landscape Constructions’, Richard Green Gallery, Los Angeles, CA
‘Small Scale Work’, Scott Hanson Gallery, New York, NY
‘300 Years of Still Life’, Michael Kohn Gallery, Los Angeles, CA
‘Reinvention of Painting’, Rastovsky Gallery, New York, NY

1988
‘The Mystical Landscape’, Maloney Gallery, Santa Monica, CA
Tom Cugliani Gallery, New York, NY
‘Group Show’, Dart Gallery, Chicago, IL
‘Group Material: Aids And Democracy’, DIA Art Foundation, New York, NY
‘Selections from the Drawing Center’, Massachusetts College of Art, Boston, MA
Tilden-Foley Gallery, New Orleans, LA
Jack Tilton Gallery, New York, NY
‘Art of the adonna’, Zolla-Lieberman Gallery, Chicago, IL

1987
‘On Line’, City Without Walls, Newark, NJ
‘White Room Show’, White Columns, New York, NY

1986
‘Selection 35’, Drawing Center, New York, NY
‘The Micro Show’, E.V. Gallery, New York, NY

1985
‘Attitude Art Invitational’, Attitude Art, New York, NY
‘Relative Meaning’, Hallwalls, Buffalo, NY

1983
Terminal New York, Brooklyn, NY

1982
‘Down and Out in New York’, Wake Forest University, Winston-Salem, NC

Public Collections

Contemporary Art Foundation, Tokyo, Japan
Museum of Modern Art, New York, US
The Metropolitan Museum of Art, New York, New York, US
Whitney Museum of American Art, New York, New York, US
Los Angeles County Museum of Art, Los Angeles, California, US
National Gallery of Art, Washington, D.C., US
Gallery of Art at Washington University, Saint Louis, Missouri, US
Hood Museum of Art, Dartmouth University, US
The Detroit Institute of Art, Detroit, Michigan, US
Museum of Fine Art, Boston, Massachusetts, US
Hall Art Foundation, Reading, VT, US
Thomas Gilcrease Institute of American History and Art, Tulsa, OK, US
Museum of Art, University of Oklahoma, Oklahoma, US
Phillip Morris Collection, New York, New York, US
San Diego Museum of Contemporary Art, US
Santa Barbara Museum of Art, Santa Barbara, California, US
Sheldon Memorial Art Gallery, Lincoln, Nebraska, US
St. Louis Museum of Art, St. Louis, Missouri, US
University of Kentucky Museum of Art, US
Denver Museum of Art, Denver, Colorado, US

Published Stories

2007
Jubilee City published by William Morrow

2003
Bald Ego

2003
Bomb Magazine

2002
Open City

Selected press

2017
Will Fenstermaker, ‘When Artists Buy Art: Larry Clark on Exhibition His Intimate Collection’,Artspace, June 16, 2017, New York, NY
Kristie Williams, ‘Don’t Sleep on Larry Clark’s ‘White Trash’ Exhibit’, Milk.xyz, June 13, 2017 (work illustrated).
‘Larry Clark: White Trash’, Artspeak, May 16, 2017
Emily Manning, ‘Larry Clark on His Astoundingly Eccentric Personal Art Collection’, i-D, May 12, 2017
Sara Rosen, ‘Larry Clark Gives Us a Look inside His Collection’, Dazed, May 10, 2017

2007
Maslin Janet, ‘Living and Painting by His own Rules’, , The New York Times, August 9, 2007

2005
Schwendener Martha ‘Critic’s Pick’, www.artforum.com, July 2005.

2004
Wilson Michael, ‘Joe Andoe’,. Artforum, Reviews, Sept. 2004, p.269
Ratner Megan, ‘Joe Andoe’, Frieze, Reviews, Issue 85, Sept 2004, p.129
Anon ‘Joe Andoe’, The New Yorker; Goings on About Town, May 10,

2004
Johnson Ken, ‘Joe Andoe’, The New York Times, Art in Review, April 23, 2004, E31
Anon, Girl, Isolated’, Time Out New York; ThisWeek, April 1-8, 2004, p. 47.
Robinson Walter, ‘Weekend Update’, www.artnet.com, April 30, 2004.

2003
‘Unframed.’ Artists Respond to Aids. PowerHouse Books, 2003, ‘A chronicle of the art sales benefiting the AIDS Community Research Initiative of America (ACRIA).’

2002
Okensenhorn, Stewart, ‘Working Man’s Art.’ Aspen Times Weekly, February, 9 & 10, 2002, cover of Arts & Entertainment sec. & pp. 10-11B.

2001
‘Joe Andoe.’ (unsigned). The New Yorker, May 7, 2001, p.19. Marsh, Jan.
‘Painting from Autobiography and Personal History.’ Review
Hackman, Kate, ‘Form and Content as Artistic Opposites.’ May 2001, p.41.
The Kansas City Star, April 27, 2001, p. 30.

2000
Penderson Laura, ‘Home Sweet Hotel.’ The New York Times, August 6, 2000.
Smock no. 1 (Summer 2000, premiere issue): p.124-125. “Joe Andoe.” (unsigned).
The New Yorker, May 7, 2000. Town & Country, May 2000.

1999
Reader’s Digest, November 1999 : back cover.
‘Una Colonia di Artisti al Chelsea Hotel.’ Arditi, Fiamma. ARS, Il Nuovo Nell’Arte Antica E
Moderna (Italy) III no. 9, September 1999 : p.40-41.
Watts, James D. Jr, ‘Preview: Andoe’, Tulsa World, May 21, 1999.

1998
Collins, Tom, ‘Joe Andoe, Allene LaPides’, ARTnews, October 1998, p.151.
‘Andoe looks for ‘the sublime in the common.’’ Walker, Hollis. The Santa Fe New Mexican, July 17, 1998.
Glueck Grace, ‘Joe Andoe’, The New York Times, February 6, 1998.
Zimmer William, ‘Metaphors for the Wilder Side of Human Life’, The New York Times (NewJersey), January 11, 1998, p.11.
‘A Country of Mine,’ Very vol. 3 (1998) p.37.

1997
Keill Liz, ‘Pets and Predators’, Summit Independent Press, December 3, 1997.
Watts James D. Jr, ‘Searching for the Divine,’ Tulsa World, November 23, 1997.
Fisher Rich, ‘Studio Interview,’ KWGS 89.5 FM, National Public Radio. Aired, November 3, 1997.
Watts, James D. Jr, ‘Still Life’ Works Throb with barely Contained Energy,’ Tulsa World, October 5, 1997.
Goodman Jonathan, ‘Joe Andoe at Joseph Helman,’ Art in America (March 1997) p.104-105.
Hoffman Jill, ed. Mudfish 10 (New York) (1997): front & back covers.
Weinstein Arnold, Red Eye of Love. (Sun & Moon Classics: Los Angeles) 1997: cover.

1996
Melrod George, ‘The Great Outdoors,’ Arts and Antiques (December 1996) p.29.
Glueck Grace, ‘Art in review: Oklahoma memories,’ The New York Times, Nov. 29, 1996.
Hemp Christine ‘Critical Reflections: Joe Andoe New Paintings,’ THE Magazine (Santa Fe,NM), July 1996.
‘Around Town: Art & Performance.’ Aspen Magazine (Spring 1996).
Jones Richard, ed. Poetry East. (DePaul University: Chicago) Spring 1996, no. 42: cover & p.148.
‘Floral theme blooms at New Jersey Center for Visual Arts.’ Watkins, Eileen. The Sunday Star-Ledger. May 26, 1996, p. 10.
Fauntleroy, Gussie ‘Joe Andoe knew he wasn’t in Oklahoma anymore,’ The New Mexican, May 24, 1996, Avenue, April 1996.
Click Carrie, ‘The Visual Arts,’ The Aspen Times, March 9-10, 1996, sec. B, p.2.
‘Joe Andoe: new paintings,’ Aspen Daily News, February 29, 1996.
Turner Elisa, ‘City Focus, Miami/South Florida: ‘Splash, Color, and Rhythm,’ ArtNews (January 1996) p.51-52.
Hoffman Jill, ed. Mudfish 9 (New York) (1996) p.117

1995
New York Observer, December 4, 1995.
Turner Elisa, ‘Paint ‘Em, Cowboy,’ The Miami Herald, November 10, 1995, sec. G, p.16.
Upshaw Reagan, ‘Joe Andoe at BlumHelman,’ Art in America September 1995.
Heisler Eva, ‘Reviews,’ Dialogue (Columbus, OH), May-June 1995, p.22.
Edwards, Richard,‘ Let’s Talk About Art,’ Aspen Magazine (Spring).
‘Also of Note,’ The New York Times, April 7, 1995, sec. C, p. 20.
‘Art,’ The New Yorker (New York), March 27, 1995, p.23.
Hall Jacqueline, ‘A brooding kind of mood,’ The Colombus Dispatch, March 19, 1995.
‘Art,’ The New Yorker (New York), March 13, 1995, p.21.
‘Openings,’ New York Magazine (New York), March 13, 1995, p.87.
‘Flora: Contemporary Artists and the World of Flowers,’ Garver, Thomas H. Leigh Yawkey Woodson Art Museum catalogue (University of Washington Press, Seattle, 1995) pp. 19-22.

1994
Print Collector’s Newsletter vol. XXV (October 1994).
Collins Tom, ‘Interview with a Critic,’ Santa Fe Reporter, September 21-27,1994
Bensley Lis, ‘It’s Difficult to Escape Chaos of Nothingness... Andoe Pulls You into a Presence,’
The New Mexican, September 2, 1994.
Dixon Laura, ‘Art News,’ Aspen Magazine, midsummer 1994, p.27.

1993
Armitage Diane, ‘Critical Reflections - Joe Andoe: Recent Paintings,’ THE Magazine (Santa Fe,NM), November 1993, p.49.
Villani John, ‘Going Beneath the Surface,’ The Sante Fe New Mexican, October 1, 1993, p.43.
‘Joe Andoe: Paintings,’ Duffy, Bob. Saint Louis Post Dispatch, September 30,1993. Print Collector’s Newsletter (Spring 1993): 62.
Litt Steven, ‘Artists View Nature Assaulted,’ The Plain Dealer, April 3, 1993.
Inturrisi Louis, ‘Tales of the Palazzo Cenci,’ Architectural Digest, April 1993, p.116 & 118.
Schwartz Eugene, ‘Joe Andoe,’ BlumHelman Exhibition Catalogue (New York), March 24 –May 1, 1993.

1992
Saltz Jerry, ‘Barbara & Eugene Schwartz’, Galeries Magazine, December ‘92/January ‘93, p.97.
Heffel Robert, ‘Joe Andoe: New Work,’ Heffel Gallery Exhibition Catalogue (Vancouver, B.C), November 12 – December 12, 1992.
Falcioni Ron, ‘Before and After Science...Playing with the parameters of abstraction in art,’
North Shore News. November 25, 1992.
Tully Judd, ‘The “M“ Word,’ Art and Auction, May 1992, p.109-153.
Print Collector’s Newsletter vol. XXIII, March/April 1992, p.25.
‘Die Neuen Abstrakten,’ PAN (Germany), January 1992.
Zelger, Lisa. The Art Newspaper (Germany) no. 14, January 1992.

1991
Aring Rainer, ‘Kolumne: Kunst-Stoff,’ Prinz (Germany), December 1991.
‘Snowflake Art,’ Interview, December 1991, p.90-93.
‘Neuer Trend: New Formalisme in Köln,’ PAN (Germany), December 199.
Faust Wolfgang Max, ‘Neuer Formalismus,’. Art (Germany), December 1991 p.23.
‘Trend: Comeback Der Malerei,’ Insider’s Guide (Germany), November/ December 1991.
Kölnische Rundschau (Germany), November 21/22, 1991.
Eickhoff Von Beate, ‘Vor Allem Formalismus,’ Kölner Stadt-Anzeiger (Germany) 49 no. 265, November 14, 1991.
Ottmann Klaus, ‘Interview with Joe Andoe,’ Journal of Contemporary Art, Fall/Winter 1991, p.5-8.
Gardner E.W, ‘Dear Editor: [Letters],’ Arts Magazine, October 1991, p.112.
Gandee, Charles, ‘The 30’s And Beyond,’ House & Garden (New York), September 1991, p.132-139, 198.
Decter Joshua, ‘New York in Review,’ Arts Magazine, Summer 1991, p.90.
Decker Andrew, ‘A Period of Adjustment,’. New York Magazine, April 29, 1991, p.54.
De Ferrari Gabriella, ‘Joe Andoe,’ Mirabella, April 1991, p.72.
Legros Hervé, ‘Review,’ Art Press, January 1991, p.104-5.

1990
McKenna Kristine, ‘American Gothic,’ Los Angeles Times, December 14, 1990, sec. F, p. 23.
Temin Christine, ‘The variety is dazzling in`The Unique Print’ at the MFA,’ The Boston Globe, September 23, 1990, sec. B, p. 26.
Silver Joanne, ‘Art: Singular Visions,’ Boston Herald, September 21, 1990, sec. S, p. 19.
‘Prints & Photographs Published,’ Print Collectors Newsletter, September 1990, p.147-149.
Zimmer William, ‘Nature Comes Into Its Own in ‘Secret Life of Plants’ at Lehman,’ The New York Times, February 18, 1990.
Westfall Stephen, ‘Review,’ Flash Art International, January/February 1990, p.130-131.

1989
Kimmelman Michael, ‘Joe Andoe,’ The New York Times, October 27, 1989, sec. C, p. 32.
Siegel Jeanne, ‘Joe Andoe,’ Arts Magazine, September 1989, p.82.
‘Galleries,’ New York Magazine, September 1989.
Artner Alan G, ‘Artist’s Use of Words Give New Translation,’ Chicago Tribune, June 23, 1989, sec. 7, p.54.
The Los Angeles Times, May 19, 1989, sec. VI, p. 17.
Donahue Marlena, ‘La Cienega Area,’ Los Angeles Times, May 12, 1989, part VI, p. 20.
Kuoni Carin, ‘Kreative Pause in New Yorks Galerien,’ Artis, February 1989.
‘Review,’ Flash Art, January/February 1989, p.124.
Hess Elizabeth, ‘Safe Combat in the Erogenous Zone,’ The Village Voice, January 10, 1989.
Ottman Klaus, ‘The Re-Invention of Painting,’ ARTS (January 1989).
‘Cross,’ The New York Times.

1988
Artner Alan G., ‘Biblical Paintings Display a Simple Serenity,’ The Chicago Tribune, July 1, 1988, sec. 7, p.45.
Flam Jack, ‘L.A.’s Growing Art Scene,’ The Wall Street Journal, March 9, 1988.
‘The Galleries: Santa Monica,’ Los Angeles Times, February 12, 1988.